Translation of "grecian" to Russian language:


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The Grecian isles or somewhere.
Мы зашли просто ради шутки, и я попросил рекламные проспекты.
Form and Content in Keats's 'Ode on a Grecian Urn' .
Form and Content in Keats's 'Ode on a Grecian Urn' .
And the men were all Grecian warriors fighting with Agamemnon.
А мужчины все были греческими воинами, боровшимися с Агамемноном.
Bateson, F. W. Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
Bateson, F. W. Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
Keats's Ideal in the Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
Keats's Ideal in the Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
Passion and Permanence in Keats's Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
Passion and Permanence in Keats's Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
Notes References Bibliography Abrams, M. H. Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
Что вы знаете на свете, и всё, что вам надо знать Abrams, M. H. Ode on a Grecian Urn in Twentieth Century Interpretations of Keats's Odes Editor Jack Stillinger.
ISBN 0 520 01860 5 MacGillivray, J. R. Ode on a Grecian Urn , Times Literary Supplement (9 July 1938) 465 466.
ISBN 0 520 01860 5 MacGillivray, J. R. Ode on a Grecian Urn , Times Literary Supplement (9 July 1938) 465 466.
Later known as the Grecian Theatre, it was here that Marie Lloyd made her début at the age of 14 in 1884.
Позже он стал известен как Grecian Theatre , в возрасте 14 лет в 1884 году в нём дебютировала Мэри Ллойд.
It was not until the 14th century that an Italian painter recognized the lap as a Grecian temple, upholstered in flesh and cloth.
Примерно в XIV веке итальянский художник сравнил колени с греческим храмом, обитым плотью и тканью.
While Theocritus describes both motion found in a stationary artwork and underlying motives of characters, Ode on a Grecian Urn replaces actions with a series of questions and focuses only on external attributes of the characters.
Тогда как Феокрит описывает и движение в стационарном произведении и основные мотивы персонажей, в Оде к греческой вазе Китс заменяет действия серией вопросов и сосредотачивается только на внешние атрибуты персонажей.